The King Did Not Hang

Feb 10

The O’Callaghan Awards

For O’Callaghan Awards, another group of…ummm…iconoclasts?

By Sage Warlockheart
Herald Staff Writer

NEW YORK - A chef who whimsically combines scraps of used latex yoga mats with benzocaine to feed out-of-work circus podiatrists; an Austrian poet based in Brazil who uses dental floss to suspend live bullfrogs over pools of ketchup; and Lucy from “Peanuts” are among the 14 recipients of the $385 “abstruse grants” to be announced Tuesday by the Lochlan P. and Marta P. O’Callaghan Foundation.

     While no one has ever heard of most of the fellows, a few are so obscure it was difficult to confirm whether they were even real people. They include Pishel Hoal, a 66-year-old former gemologist who lives underground near Coober Pedy, Australia, and who occasionally surfaces from his hole to wander about.

     “Four of the kings have been beheaded and the rest have followed me here,” Hoal said in an interview conducted via Skype from the Opal Blossom Hunan Buffet in Coober Pedy. “If I tell them we have the goats, they’ll be still. They’ll be still.”

     This year’s O’Callaghan fellows range in age from 6 to 93 and are evenly divided between men and women. As in past years, most either have struggled with emotional problems or have been in prison. This year’s judges stuck to the O’Callaghan awards tradition of naming fellows whose accomplishments square with the foundation’s stated mission to “shine a light upon work that seems unimportant to the rest of the world, only because it is unimportant.”

     All 14 fellows will receive $27.50 a year for five years, and must use the grant to purchase either playing cards or cat food. Since the inception of the program in 2007, 18 people have been named Lochlan P. and Marta P. O’Callaghan fellows.

     Besides Mr. Hoal, other winners this year include retired lepidopterist Belinda Pandoe-Crapht, 56, whose study of the Common Blue Morpho, the Red Admiral and the Camberwell Beauty butterfly species has informed and influenced her music as lead singer of the punk-metal outfit Ass Typhoon; Trisha Bloorkie, 23, a Sacramento prostitute who also serves on the board of the Santa Clara Valley Water District; Robert Simpote, 44, who enjoys US Weekly and is thinking of subscribing; Maladraiga Hernandez-Mushi, 78, a pioneer in the Electric Boogaloo, Popping and Crazy Legs movements of the 1970s; Maxim Dityatev, 49, a mixed-media artist who works mainly with Sour Apple Berry Bubble Yum, ejaculate and chicken skin; Jennifer “Zothecula” Miller, 15, a Goth teenager known for cranking up The Sisters of Mercy and wearing eyeliner to bed; and Herbert Rae-Boney, 48, a protégé of Dutch physicist Gerardus ‘t Hooft, whose theoretical work on gauge theories, quantum gravity and black holes earned him the Nobel Prize in 1999.

     Mr. Rae-Boney left Mr. ‘t Hooft’s laboratory ten years ago to study circumplanetary dust physics, but instead has spent much of the last decade managing Ron’s Do-Nuts at the corner of Vineland and Conroy in Orlando with his wife, Cathy Rae-Boney.

     Another fellow who failed to live up to his promise, Gillie St. Warche - an entrepreneur whose idea of putting “a professional water polo player in every home” has yet to pan out - said he would use the money to buy either playing cards or cat food. “I don’t have a cat, so I guess I’ll buy some playing cards,” said Mr. St. Warche, who was named a fellow because of his “extraordinary ability to read Proust while simultaneously lighting squirrels afire,” according to the judges’ notes. “Or I guess I might buy some cat food, because I have a friend who has a cat. And she could give the cat food to her cat.”

     While all of the fellows do pointless, inexplicable or boring things with their time, the O’Callaghan grants are distinctive because they reward the truly inane. “I think it’s real fun,” Teague O’Callaghan, the foundation’s president, and grandson of Lochlan P. and Marta P. O’Callaghan, said of discovering and naming the fellows. “It’s fun, and it’s also funny. Both.”

     As examples, Mr. O’Callaghan cited Sharon Haavish, 93, who has a different colored track suit for every airport she visits, and Kyle Ballantone, 28, a liquid helium salesman from Alfalfa County, Okla., whose cross-stitch embroidery designs of Grand Duke Leopold I and other members of the House of Baden-Durlach have captured the hearts of Swedish people everywhere, though mostly in Sweden.

     Mark Sixypotch, who, at the age of 19 has already translated several seminal herpetological books into English - including (from the original Marathi) “The Snakes of India and Pakistan,” by K.G. Gharpurey; “Japanese Venomous Snakes,” by Seiichi Takahashi; and (from the original Azeri) “Amphibians and Reptiles of Azerbaijan” by A.M. Alekperov - is so gay.

     “I have no idea what to think about winning this award because I’ve never heard of it and I’m quite sure no one else has either,” said Mary von Pahrtenfur, a junior at SUNY New Paltz who is well known on campus for her notion that a new pan-global alphabet could bring about world peace and get people to finally realize that Alan Thicke is the devil.

     Wayne X. Hashago, 55, a familiar figure in journeyman tool and die making circles, called the award a “piece of shit.” Hashago has six fingers.

     Similarities can be seen in the work of three fellows: Annette Fordol, 42, who has walked in circles around her own house in Lapeer, Mich. continuously for four years; Jaishree Dhurvasula, 29, whose musical compositions transcend classification, but range somewhere between Cambodian trip hop and traditional oom-pah; and Sebastian Pelicago, 81 who fashioned a popular line of pre-school toys out of used tattoo needles, carbolic acid, shards of glass and meat.

PHOTO: Maxim Dityatev: Mixed-media artist

“Let’s Move” is only latest First Lady initiative

First Lady Michelle Obama recently outlined her initiative to eliminate childhood obesity within a generation. In her kickoff speech for what the Obama administration is calling the “Let’s Move” campaign, Mrs. Obama said “the physical and emotional health of an entire generation and the economic health and security of our nation is at stake.”

“This isn’t the kind of problem that can be solved overnight,” she continued. “But with everyone working together, it can be solved. So, let’s move.”

The administration has been putting the “Let’s Move” campaign together for over a year, and dismissed several other possible projects for Mrs. Obama along the way, including “Let’s Dance,” an appeal to resurrect post-disco, synthesizer-driven dance music from the early-to-mid 1980s; “Let’s Seriously Get Way Baked,” which was deemed too close in substance to Nancy Regan’s “Just Say No” appeal, and “Let’s Get It On,” a challenge to elderly Americas to don their rain coats more speedily.

Mrs. Obama’s “Let’s Move” initiative continues a long tradition of U.S. presidents’ wives taking up a social or political cause. Some of those efforts were either rejected by administration officials, or have simply been lost in the annals of presidential history.

—-

Bad Scene, Vol. II: “Battlefield Earth”

Battlefield Earth: A Saga of the Year 3000″ (2000) written by J.D. Shapiro and Corey Mandell. Based on the novel by L. Ron Hubbard. Directed by Roger Christian.

Starring John Travolta as TERL - fresh off well-regarded performances in “A Civil Action” and “Primary Colors.” Seven years before “Wild Hogs,” nine years before “Old Dogs” and 11 years before “Wild Hogs 2: Bachelor Ride.”

Starring Forest Whitaker as KER. Yep. Long after “The Crying Game” but long before “Last King of Scotland.” Oh, Forest. Why?

Starring Barry Pepper - only two years after “Saving Private Ryan” - as the earthling hero, JONNIE GOODBOY TYLER.

Starring Michael MacRae in a star-making, scene-stealing cameo as DISTRICT MANAGER ZETE. Veteran of motorized 70s/80s TV dramedy like “Starsky & Hutch,” “The Dukes of Hazzard,” “Knight Rider,” “C.H.I.P.S.,” and “Hardcastle and McCormick.” Yes.

Starring Shaun Austin-Olsen as PLANETSHIP, chief bureaucrat and Psychlo functionary of the goldmine where TERL is head of security. In 2008, Austin-Olsen played First Counsellor in “Magic Flute Diaries.”

About the behind-the-scenes creators:

Director Roger Christian won a set decoration Oscar for “Star Wars” in 1977. Interestingly, in his official bio, Christian lists, among other directing work, commercials for Chrysler and Taco Bell before mentioning “Battlefield Earth.”

Corey Mandell now teaches film writing - correct - at the UCLA Extension Writer’s Program. He says his classes there “explore the essential elements of successful premises, flexible story structure, and deeper and more realistic characterizations.”

His co-writer, J.D. Shapiro calls himself a stand-up comic. His writing credits, pre-B.E. (B.B.E.?) included “Robin Hood: Men in Tights.” Post-B.E. (A.B.E.?), Shapiro is credited with two films: 2008’s “X-Treme Biography: Santa” and “Knights of the Not-So-Round Table: The Lost Tapes of 524 AD.”

***

The following words scroll up the screen - ala “Star Wars” - at the beginning of the movie:

IT IS THE YEAR 3000 AD

EARTH, ONCE MANKIND’S HOME, HAS BEEN RULED FOR THE PAST 1000 YEARS BY A CRUEL ALIEN RACE FROM THE PLANET PSYCHLO.

AS THEY HAVE DONE ON COUNTLESS OTHER PLANETS ACROSS THE GALAXIES, THE PSYCHLOS MINE EARTH’S METALS AND TELEPORT THEM BACK TO THEIR HOME PLANET.

GOLD IS THE RAREST AND MOST VALUABLE METAL OF ALL.

THE DWINDLING HUMAN POPULATION IS RIGHTING TO STAY ALIVE. HIDING IN POCKETS, IN RADIATED AREAS, THEY ARE ON THE VERGE OF EXTINCTION.

***

BAD SCENE 1 

In the following scene, JONNIE GOODBOY TYLER, along with a handful of other humans, has been captured and brought to a gold mine run by the Psychlos. As they exit the slaveship, JONNIE GOODBOY TYLER shoots a Psychlo guard and escapes. But he runs right into the large paws of TERL, the mine’s security chief, who lifts JONNIE GOODBOY TYLER by the neck, eager to find out which of his guards let the human escape.

Scene…

TERL: Who is responsible for allowing this man-animal to run around unsupervised?

GUARD: The man-animal shot Durango, sir

TERL: I’m a little pressed for time. Why don’t you save the going-away jokes for later. (throws JONNIE GOODBOY TYLER to the ground.)

GUARD: It’s not joke, sir, I swear. The man-animal somehow got ahold of this gun (shows gun).

TERL: Really? Show me.

GUARD: Sir?

(TERL grabs gun from guard. Gives it to JONNIE GOODBOY TYLER.)

TERL (To GUARD): Reach for the gun.

GUARD: But sir, I might get shot.

TERL: Sure you might. And I might suddenly grow a third arm.

GUARD: But sir I swear it shot the wrangler.

TERL: The report filed today still has my name on it. And you are out of your skull-bone if you think that I’m going to write on the report: “Shot by man-animal” as the cause of death, unless I see it.

GUARD: If I obey your command, I may get killed.

TERL: And if you don’t, it’s a certainty that you will be killed. (beat) Reach for the gun.

(GUARD reaches for the gun, and JONNIE GOODBOY TYLER shoots him.)

TERL: Well. I’ll be damned. (Begins maniacal laughter.)

…and, Scene.

***

BAD SCENE 2 

In the following scene TERL, a graduate of Psychlo’s prestigious military university, expects to hear from DISTRICT MANAGER ZETE that he’s being promoted and can return to his home planet.

Scene…

(DISTRICT MANAGER ZETE is teleported onto earth from Psychlon).

TERL: It is a pleasure to see you, Your Excellency. I would be honored to expedite your clearance through security.

ZETE: Please, call me Zete. Does all of Earth look like this?

TERL: Oh, I’m afraid so, sir.

ZETE: Pathetic. All the green, and the blue sky. They told me this planet is ugly, but this has got to be one of the ugliest crapholes in the entire universe.

TERL: I couldn’t agree more.

ZETE: I hate these puny, undersized planets. The gravity is so…different.

TERL: Well, one does get used to it.

ZETE: The human animals, grossly undersized.

KER: They don’t make very good eating, Your Excellency.

TERL: Ah, yes. My executive assistant, Ker.

KER: Thank you.

TERL: He has been fully trained to replace me as Chief of Security. As soon as my transfer goes through.

ZETE: Well, Ker. Once we finish mining out this miserable, little planet, let’s do the universe a favor. Let’s exterminate the lot of them.

TERL: (Maniacle laughter) Oh, you’re too much.

ZETE: So they tell me.

TERL: Please, come this way.

(The group repairs to a conference room)

PLANETSHIP: I am honored by your vist, Your Excellency

ZETE: Thank you, Planetship. You’ll be pleased to know, that I’ve approved additional labor resources. I’ll have them sent here by the end of quarter-cycle.

PLANETSHIP: Thank you, Your Excellency.

ZETE: What else? (to TERL) Oh, your long, overdue transfer. You must be looking forward to getting off this disgusting excuse for a planet.

TERL: I just want to do what serves the Corporation best, sir.

ZETE: Admirable. And, I must say, you’ve done a first-rate job here as Interim Security Chief. (Applause and “here, here”s.)

TERL: I do what I can.

ZETE: Which is why we’ve decided to keep you on for another tour of service.

(pause)

TERL: There must be some mistake.

ZETE: Home Office does not make mistakes.

TERL: Of course not. But have you looked at my file, sir? It explicitly says that this is a temporary assignment. Yes. Are you not aware, that I graduated (said with a flourish) top of my class?

ZETE: Quite an accomplishment.

TERL: I don’t mean to second-guess the Home Office, but surely I could better serve the corporation…

ZETE: Home Office is well aware of your academic achievements, and obvious talents. That’s why we’ve decided not to keep you here for another five cycles.

TERL: (Maniacal laughter) Oh, thank you, sir. I don’t know if I could have kept my sanity being here another five cycles.

ZETE: We’ve decided to keep you here for another fifty cycles! With endless options for renewal (echoes 3 times - endless options for renewal, endless options for renewal, endless options for renewal -  followed by maniacal laughter.) Those options, of course, being at Home Office’s discretion, not yours. The Senator has a lot of friends.

MINUTES LATER - TERL AND GUARDS ESCORT ZETE FROM THE BUILDING

TERL: Please tell the senator, that if I had even an inkling that that was his daughter…

ZETE: Watch your tongue. (pause). The Senator’s exact words to me were - and I’m quoting - “If that blasted Terl tries to talk his way out of it, have him vaporized on the spot. But cheer up. There’s one bright side to this. One day, you’re going to die. And when you end up in hell, at least it will be a step up from this place. (Maniacal laughter.)

…and, Scene.

***

BAD SCENE 3 

Out near the mines, TERL’s ship has landed, and after a struggle, he’s outnumbered by man-animals - JONNIE GOODBOY TYLER’S crew, and a group from the woods that has joined them. JONNIE GOODBOY TYLER manages to grab TERL’S gun and points it at TERL, who is on the ground. In this scene, JONNIE GOODBOY TYLER has learned the Psychlo language, and believes he knows how what’s left of the human race can rid themselves of the Psychlos forever. But when the group gets an unexpected chance to kill TERL, he must convince them that his long-term plan is better than easy revenge.

Scene…

ROBERT THE FOX: Let’s give this demon what he deserves.

Cheers from the group…yeah, yeah.

CARLO: Kill it, kill it. Kill it, then we’ll run.

JONNIE: Then what? What kind of life is it to run? Always living in fear of being hunted. What about the others we’re leaving behind? What about them?

CARLO: There’s nothing, nothing we can do for them. Only the gods can free them.

JONNIE: Ohhh. You think the lights in the night sky are gods waiting to come down and save us? Do you? Those are planets. Planets like this one. The great villages were built by our people. By millions of men and women just like us. Willing to fight to the death for one thing about all else. Their freedom.

OLD GUY IN THE CROWD: Do you think no one has tried? You can’t defeat them. (echoes 3times - You can’t defeat them, You can’t defeat them, You can’t defeat them.)

JONNIE: Yes we can. Yes we can. But we have to go back. We go back and learn about their weapons and their machinery. Our race is slowly dying, and will soon be gone forever. Let it be said that we took this one chance…AND FOUGHT!!! Are you with me? ARE YOU WITH ME???!!!!!

CROWD: YES! WE FIGHT! WE FIGHT!

ROBERT THE FOX: If you’re fighting the beast, me and my men are with you.

JONNIE: Thank you. It’s good to have friends out here.

ROBERT THE FOX: May the gods be with you.

(With whoops and shouts, they return to the woods.)

…and, Scene.

Coincidence?

Coincidence?

Bad Scene, Vol. I: “Staying Alive”

“Staying Alive,” (1983) written and directed by Sylvester Stallone (music by Frank Stallone)

Starring John Travolta - reprising his role as Tony Manero from “Saturday Night Fever” (1977)

Starring Finola Hughes - who 20 years later would become a QVC home shopping network star - as dance diva and Manero’s paramour, and fellow cast member, Laura

Starring Cynthia Rhodes - who would one day star in a Richard Marx video, then marry Richard Marx - as Manero’s long-suffering girlfriend, and fellow cast member, Jackie.

Starring Steve Inwood as director, Jesse.

***

REALLY BAD MONOLOGUE # 1

JESSE, DIRECTOR OF THE BROADWAY SHOW IN WHICH TONY MANERO HAS BEEN CAST, IS FRUSTRATED WITH THE QUALITY OF EARLY REHEARSALS.

Scene…

CHOREOGRAPHER
One-two-three-four-five-six-seven-eight
One-two-three-four…

JESSE
(Shakes head)

That’s it. Relax.

(The cast stops dancing.)

What we’re dealing with here is a conceptual interpretation problem. Which is easy to overcome if you just forget the fact that you’re dancers working for a couple of bucks. You are translators of body language. That’s all dancing is. It’s body language. So don’t waste my time going through the motions of emotions. You gotta feel what the hell you’re doing here. For those who forgot, the show’s called “Satan’s Alley.” It’s a journey through hell that ends with an ascent to heaven. And you might think it’s simple. But if it’s gonna work, you gotta bust your asses.

***

REALLY BAD MONOLOGUE # 2

MANERO THINKS HE HAS A SHOT TO TAKE OVER THE MALE LEAD FROM BUTLER IN “SATAN’S ALLEY,” AND PRACTICES ALL NIGHT WITH JACKIE.

THE FOLLOWINGDAY AT REHEARSAL, MANERO SEES HIS CHANCE AND ASKS JESSE TO GIVE HIM A SHOT OPPOSITE FEMALE LEAD LAURA.

MANERO WOWS ‘EM AT FIRST AS THE REST OF THE CAST LOOKS ON. BUT THEN HE FUMBLES HIS MOVES, ANGERING THE (VERY BRITISH) DIVA, LAURA.

Scene…

LAURA
(to Jesse)
Is this a dance or a bloody circus?

MANERO
(to Jesse)
Forget it, man.

MANERO STORMS OFF. JESSE FOLLOWS HIM INTO A HALLWAY.

JESSE
Wait. (PAUSE) I said wait.

MANERO
I don’t want to talk about it, man.

JESSE
Don’t walk outta here and expect to come back.

MANERO
Oh, is that right?

JESSE
That’s right. You walk out the door now, you’re over.

MANERO
(incredulous)
Ahright. What would you do?

JESSE
Don’t worry about what I would do. I’m not the one that’s on the line. You are.

MANERO
I dont’ want anyone ever laughing at me.

JESSE
Who are you, somebody special? What’d you ever do that mean’s anything? What’d you ever do?

CLOSEUP ON JESSE

JESSE
I give you a chance for a lead in a Broadway show, and you walk out the door?

MANERO
Oh, who cares?

JESSE
Who cares? Nobody has to care. In this business, I don’t have to care about you. And you don’t have to care about me. And if you can’t follow that, follow this: You wanna dance here, you follow my rules. It’s not a democracy. You know, you are not the best dancer to ever hit Broadway…(PAUSE)…What you have is anger. And a certain intensity, and that’s what I need to make this show work. What’dya think you’re so terrific you’re gonna go out and you’re gonna score another show? Is that it? The best thing that you ever scored in your whole life is Laura, but you even blew that cuz you got too heavy with her. You’re different kinds of people. And no matter how much you carry on, you’re never gonna change that. If you had half a brain in that thick skull of yours, you’d stop worrying about trying to change other people, and start worrying about changing yourself.

MANERO
(PAUSE)
Everybody uses everybody, don’t they?

JESSE
Go to hell, Manero.

A message for our clients

August, 2009

Dear [client’s name],

Gambatte kudasai! That’s what our intern Keiko - whom we had to fire in June - would say to us when things looked bleakest. Keep your chin up, she’d say with a smile. And then we’d close our door.

Autumn is nearly here and as dire as things may seem out there in the publishing world, we are committed to representing your projects, at least through the rest of 2009.

The last thing we want is for you to fixate on layoffs at Simon & Schuster, salary freezes at Penguin, imprint mergers at Random House or that silly acquisition ban at Houghton. HarperCollins may have shut down a couple divisions, but they were non-fiction divisions. Remember - you make stuff up, Artist. Dismal days at publishing conglomerates can’t matter to your creative process. They matter only in that we’re going to have trouble selling your ideas.

Your representatives here at Chazz Kopplerbach Hoarb Literary Agency don’t want you to have to think about any of that. We want you to keep envisioning big, ambitious, important. Bring us your novel and we will do the rest. That’s our pledge to you. We will sell your manuscript. I swear to God we will. Seriously.

Without further adieu, The List. As our disclaimer goes each year, these are only premises to get those creative juices running. These are ideas that we Professional Literary Agents who lunch with Professional Book Editors every day (yes, these days at Gray’s Papaya), know would sell. As always, we don’t want to stifle your own mojo, but these are good plots in search of a great writer. That’s you.

So take a look at these ideas: Pick one up. Play with it. Toss it around. Bounce it off a wall. Give it a bath. Run over it with your car. Squish it into your kids’ knapsack. Take it to shul some Shabbos. Watch an episode of “The Real Housewives of Atlanta” while it sits next to you on the couch.

A quick straw poll around the office (really quick, I mean, like, in the last ten minutes) suggested a strong collective prediction that Fall 2009 is going to be the Autumn of historical fiction involving kings. Following are some royal historical plot sketches we’d love to see blown out big and bold by someone with your talent.

Good luck!

PHOTO: Wayne Hoarb of Chazz Kopplerbach Hoarb, LLC

Notes on Contributors

My Esquire piece, “Notes on Contributors,” landed on the magazine’s website Saturday. You can also see the real, live print version in the current November issue - Halle Berry on the cover - on page 170.

The editors chose eight “Notes” but I’d submitted a bunch more. Here are the rest:

————-

Jan 03

Memo to NYSE traders on “Oh, no” body language

MEMO

TO: Floor traders

FROM: NYSE Group, Inc. Communications Team

RE: Body language/facial expressions during Big Board free falls

————————————–

Gentlemen,

As you all know, these are difficult times for Money. And when Money is hurting, America turns to Wall Street to gauge just how much.

That’s where you come in.

When Money is screeching in pain, as it has been in recent weeks, banging its little green fist on the floor for mercy and bleeding zeroes from every orifice - people around the world want to put a face on that anguish.

As part of your audition to become a floor trader, you sat on a stage and gave us your best “Oh, dear God” reaction to an 800-point Dow nosedive. You were subsequently trained in proper eyebrow fluctuation, sunken shoulder dejection and, of course the bottom-has-fallen-out knee-drop.

It’s only a matter of time until the electronic markets swallow your job. The one thing keeping you employed at the moment is your humanity - so show a little of it. We can’t imagine that you’d need motivation these days, but if you’re having trouble summoning the proper and necessary horror, just imagine you’re a Cubs fan.

A quick refresher for sessions when consumer confidence is at an all-time low, monthly retail sales numbers are in the toilet, housing starts are at 19th century levels and hobos have begun to burn the Beige Book’s pages in a big steel drum to keep warm:

Think about what floor trader Michael Rutigliano told the Associated Press recently. Mike said when he steps on the NYSE floor, it feels “like walking on to the field of the Yankee Stadium of the business world, complete with lights, referees, uniforms, hand signals, and scoreboards. There’s a palpable energy, a sense you entered the premier business arena in the world.”

Use that, people. Remember - the world is watching. No one wants to see Money wounded and weak. But when Money is wounded and weak, America wants to see that sense of catastrophe in the rutted brow, the contorted death mask, the boozy tear drop.

Hey - let’s be expressive out there.

If car marketers went to divinity school

When I was in graduate school, I kept a list of terms that I thought would make great car names: